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EN
ROUTE WITH GEORGE NICK
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In 1965, two years
out of graduate school and after a trip to Europe, Nick realized that
he could "paint anywhere." By 1970, the itinerant painter had begun taking
painting trips to Europe with regularity-shipping home his hot-off-the-easel
paintings in cardboard tubes. He has maintained these annual, and sometimes
semiannual, excursions ever since, producing a body of paintings that
comprise a significant part of his life's work. Nick's teaching career began with a series of one year appointments after completing his studies at Yale. In 1969 he accepted a position at Massachusetts College of Art, where he would remain for the next twenty-five years. Students loved Nick's energy. His excitement about painting infected his classrooms. At 9 a.m., when classes began, it was not unusual to see Nick bound into the studio-his eyes alert, his affect loud- full of an excitement brought from a morning of looking and painting. He taught by example-the example of his own life as a painter, with his disciplined work habits and youthful enthusiasm. He was a great motivator, inspiring students with stories of his own struggles from his life as a painter "I have never encountered a teacher," wrote one former student, "who is a better role model for his students than George is." He taught, and exemplified, what this same student termed "artistic integrity: the ability to be true to oneself in spite of fashion." Nick's colleagues have made similar observations. The well-known realist, John Moore (whom I cite earlier in this article), has called Nick "arguably the most influential teacher.. in the Boston area."
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